We can consider Gerold Tagwerker as a “creator ex nihilo”, after all, his work is conceived using five central aspects that may very well be part of the minimalist discourse and at the same time his final work draws on manufactured material he happens upon and which then undergoes a subjective selection procedure.

Tagwerker obtains spaces where light and rhythm seems to recreate a magic setting, spaces so difficult to be controlled by our senses, where light and darkness lives together, and that illuminates Tagwerker’s formal constructions and render their component parts legible..